Snowflake Tags

Recently in our Paper Traders group, Pam hosted a snowflake tag swap.  I was having so much fun with Cat Kerr's technique that I decided to try it with white paint instead of a dark color.  The result isn't quite as striking, but still pretty...

New Year Inspiration

I'm hosting a tag swap over at Paper Traders this month and the theme is to use an inspirational quote for the new year.  After reading my latest issue of Somerset Studio, I loved the technique used by Cat Kerr on her mini canvas necklace (page 52) so I decided to try applying this method to my paper tags.

I started with a plain manila tag to which I added a light coat of gesso.  Then I used gel medium to adhere different textured items to my tags - some tulle, a piece of woven straw ribbon, some extra chunky mulberry paper, and a few paper flower cutouts.  I covered everything with a layer of green acrylic paint and let it dry.  At this point I was thinking the green was way too ugly and I didn't know if the textures were pronounced enough, but I added a coat of Mod Podge and braved on with the next step...

I adhered my chipboard quotes and then, following Cat's instructions in the magazine, I watered down some dark acrylic paint (I used navy blue) and spread it over the top of everything.  I crossed my fingers, waited a few minutes, and started wiping the dark paint off again.  Cat recommended using a baby wipe but I found this took too much of the paint off (probably because I was working on paper with very thin textures) so I just rubbed with my fingers, cleaning them often so I could pick up more paint as I went.

Once everything was dry again, I used some colored buffing wax to highlight the textured areas.  Cat recommends Rub 'n Buff but I used my Metallic Rub-Ons by Craf-T in brass.  I added some random bright blue accents using my oil pastels and then spattered everything with some off-white acrylic paint.  Lastly, I added white accents with my Sharpie paint pen.

As a final touch, I added the brass butterflies and some glitter accents on my drawn flowers.  Finally, I used a little extra colored buffing wax (in golden white) to lighten the edges of my tags for more dimension.  I sprayed everything with a coat of fixative when I was done.  I also mounted printed cardstock to the back of my tags to reinforce them.

About half-way through this project, I thought I was going to have to scrap the whole thing because it looked u-g-l-y ("you ain't got no alibi!")... but I am so grateful I followed all the steps all the way through because I think the end results are phenomenal - there's so much color and texture and I really learned a lot about how to combine different mediums for a beautiful finale.

Altered Rusted Tin

Over at Paper Traders, Cathy hosted an altered rusted tin swap inspired by her recent tutorial on various rusting techniques.  I used my own variation of these to rust my tin...

First, I sanded ALL of the paint off of my Altoids tin lid, then sprayed it down with straight vinegar and let it dry in the sun (I did this about 3 times on each side)... it was already starting to rust with just the vinegar.

Then (wearing rubber gloves and a face mask, just in case), I mixed 4oz of 3% hydrogen peroxide with 2oz of the vinegar and about 1 tsp of salt, stirring carefully to dissolve completely; then I carefully poured it into my spray bottle. I sprayed the tin and left outside to dry, turning and repeating about 3 times on each side... I got lots of rust coating the entire tin. In the areas where the solution pooled because I sprayed a little too much, it took longer to dry but turned out really textured and dark in those spots.

Finally, I sprayed the whole thing with a coat of matte acrylic sealer and let it dry before creating my collage.

I have been wanting to try this for so long and am surprised at how quick and easy it was to do!

Lost Poetry

Occasionally things don't always turn out in my studio.  This week's epic Fail came while working on my Found Poetry canvas for an upcoming swap at Paper Traders.

I have seen this technique gaining popularity and was anxious to try it myself.  I had read online that another artist used MasquePen to block out her words so she could paint over the rest of the page and then remove the masque when she was done.  Sounded perfect!

The paper I was using was quite old so I tested the MasquePen in several methods: straight paper, over clear gesso, over clear acrylic sealant, and over clear gesso covered with clear sealant.  The last seemed to work wonderfully so I prepped my pages and went to work.

Below is what happened to me when I tried to remove the masque...  Two section of masque pulled the paper right off the page and my words with it.  So sad!

I decided I will salvage this piece by reprinting my poem and gluing new words over the top.  But will have to start from scratch on a new piece for this particular swap.  Live and learn.  (For my next piece, I'm going to try using Post-It Notes to cover my words...  I'll let you know how it turns out.)

mourning

love,

thrown aside,

and

Haunted forever by

all

which is not to be

Beachy Love

Cathy is hosting a paper mache heart swap over at Paper Traders this month.  Once I got over the initial messy gross-ness of the paper mache process, I found it to be a relaxing task to do while watching movies.  It took me about a week to make these hearts because I had to let it dry in between the many layers.  I learned a few things doing this project which I'll share...

I loosely based my technique on Crafy Cupid's tutorial here: http://www.craftycupid.com/index.php/cc/entry/mache-mixed-media-heart-tutorial/

For working with the messy paste, I employed this Martha Stewart tip using a rubber band to create a scraper which easily removed the excess paste from my paper strips:

http://www.marthastewart.com/272867/paint-can-tip

When they were completely dry, I applied a layer of gesso and then a coat of acrylic paint to each heart.  Both of my hearts were crackled using Ranger's Rock Candy Distress Crackle Paint.  Here's something interesting that I discovered...  The gold heart was painted with a glossy metallic acrylic paint underneath the crackle.  When dry, the crackle still appeared very shiny and crystal clear.  The blue heart, however, was painted with a matte acrylic paint under the crackle.  This one ended up looking much more opaque (sort of like sea glass) as the crackle coat seemed to take on some of the aspects of the underlying paint.  Both results looked terrific but were notably different.  For this project, I topped off the blue heart with an extra coat of glossy glazing medium to bring back that high shine finish I had anticipated.

The "sand" for my beach scene came from a pre-packaged bead mix and I just love the way this looks!  I used Glossy Accents to adhere the beads, shells, and charms.

So here are my finished results... I hope you like them as much as I enjoyed making them:

I also made an extra heart which I covered with distress doilies and pretty printed napkins layered over a bronze crackle finish:

The Butterfly - image transfer technique

In our Paper Traders group, we're doing one-for-one canvas swaps based on a specific technique.  This month, the technique was to use an image transfer (of any kind).  I made this canvas using the gel medium technique to apply my butterfly over a torn paper background and embellished it with my white Sharpie paint pen.  Then I layered a gold-printed napkin with orange flowers over the top and embellished with doilies and german scrap.  Lastly, I rubbed metallic colored waxes over areas of the canvas and applied some colored mica in select areas to add more texture.  I think it turned out nice and I hope my swap recipient likes it!

Live Life to the Fullest

I wanted to play with my new bottle of Goosebumps spray some more so I used it to make the background for this pretty little ATC.  Such a simple card with a not-so-simple saying...

If you're like me, there's never enough time to do all the things I need to do much less try to squeeze in more of the things I want to do.  I realize that I'm becoming somewhat of a recluse and am letting life bog me down.  I'm trying to take baby steps to change this - not staying at work so late, cutting down on my Facebook usage, scheduling time to work on my art, etc.

This weekend I took a huge step and am spending most of my holiday weekend at a church Single Adult Conference.  It's been very uplifting and I've even made a few new friends.  Yesterday was a tour of the Scripps Institution of Oceanography followed by an amazing keynote speaker, Robert O'Brien.  Then we had some terrific workshops and I even learned how to play Bunco  =)

Today, I'm looking forward to more spiritual edification with church services and a fireside.

Gives me Goosebumps

I made this project using a few newly acquired art supplies - Goosebumps clear texture spray and Prima resist canvas shapes.  You can read about this technique and my product review on the Paper Traders blog here: http://papertraders-art.blogspot.com/2012/05/product-spotlight-goosebumps-texture.html

Lace Challenge

There's another great blog challenge happening over at Paper Traders.  This month it's all about Lace.  I actually made this greeting card years ago but thought it was a fun twist on this theme.  I laid the lace onto sticky paper and then pressed microbeads through the holes and then gently peeled the lace off, leaving the beads behind... pretty isn't it?

Decayed Paper Technique

We had an ATC background swap in our Paper Traders group and my background was made based on Jill Geraghty-Groves’ “Decaying Background” technique as described in the March/April 2011 issue of Somerset Studio magazine.

SUPPLIES:
canvas or chipboard base
gesso
vintage text & images
sponge brushes
gel medium (I prefer matte)
baby wipes
scissors
sanding block
acrylic paint
crackle paint
alcohol inks
spray bottle filled with water

1) Use something sturdy such as canvas or chipboard for your base.  This is a very wet technique so regular paper or cardstock will not hold up to the process (I've done this with success on watercolor paper; this time I used a piece of tablet backing).  Prime with gesso.

2) Tear vintage text and images to desired shapes & sizes.  Apply with gel medium.

3) Once dry, I trim off the excess paper with scissors and then carefully smooth the edges with my sanding block.

4) Mix some gel medium with acrylic paint of your choice.  I usually use a neutral buff color.  You can use baby wipes to wipe the paint off of images that you want to show through.

5) Goop on crackle paint around the edges and let dry.  I used Ranger Distress Crackle Paint in “Picket Fence” and “Antique Linen”.  (Because I am using this piece to make into ATCs, I marked off the sizes for each card and put the crackle paint around those areas so that each ATC would have a crackled edge.)

6) Let your paint dry thoroughly.  It will crack as it dries.  The thicker the paint, the bigger the cracks.

7) After your paint has cracked, you can drip alcohol inks along the edge then spritz with water and it will run down the paper and into all the cracks.  I like to tip my background up on its edge with a paper towel underneath; then I run the bottle of ink along the top edge, spraying with lots of water, and tipping the piece to help the inks run and blend.  For this project, I used Adirondack’s “Eggplant” first, followed by “Latte”.  This step takes quite a bit of water and is very wet and messy.  Let your background dry thoroughly.

8) Now you can use your background as you want.