Beachy Love

Cathy is hosting a paper mache heart swap over at Paper Traders this month.  Once I got over the initial messy gross-ness of the paper mache process, I found it to be a relaxing task to do while watching movies.  It took me about a week to make these hearts because I had to let it dry in between the many layers.  I learned a few things doing this project which I'll share...

I loosely based my technique on Crafy Cupid's tutorial here: http://www.craftycupid.com/index.php/cc/entry/mache-mixed-media-heart-tutorial/

For working with the messy paste, I employed this Martha Stewart tip using a rubber band to create a scraper which easily removed the excess paste from my paper strips:

http://www.marthastewart.com/272867/paint-can-tip

When they were completely dry, I applied a layer of gesso and then a coat of acrylic paint to each heart.  Both of my hearts were crackled using Ranger's Rock Candy Distress Crackle Paint.  Here's something interesting that I discovered...  The gold heart was painted with a glossy metallic acrylic paint underneath the crackle.  When dry, the crackle still appeared very shiny and crystal clear.  The blue heart, however, was painted with a matte acrylic paint under the crackle.  This one ended up looking much more opaque (sort of like sea glass) as the crackle coat seemed to take on some of the aspects of the underlying paint.  Both results looked terrific but were notably different.  For this project, I topped off the blue heart with an extra coat of glossy glazing medium to bring back that high shine finish I had anticipated.

The "sand" for my beach scene came from a pre-packaged bead mix and I just love the way this looks!  I used Glossy Accents to adhere the beads, shells, and charms.

So here are my finished results... I hope you like them as much as I enjoyed making them:

I also made an extra heart which I covered with distress doilies and pretty printed napkins layered over a bronze crackle finish:

Take Flight

Well, it's time for another blog challenge over at Paper Traders and this one is featuring hot air balloons.  I had a lot of fun making this collage.  I printed the large balloon image onto vintage text and layered it with scrapbooking paper for the background then added gesso and crackle paint for texture, using water and alcohol inks to make it look more distressed.  After layering my other collage pieces on, I added some scribbles with my Pitt pen then a little more gesso and some charcoal pencil for shading.  The title was done with a brown Sharpie marker and white touches with my fabulous Sharpie paint pen.  It turned out much more distressed than I had originally imagined but I'm happy with the end result.

This was such a fun challenge!  Join in the fun by heading on over the Paper Traders blog and you just might win recognition as this month's Trader Treasure!

Old West Coasters

Jeri is hosting a swap over at Paper Traders using those paperboard drink coasters you get at restaurants.  I snagged a big stack of them from the manager at our local Islands to make these.  The theme for this swap is Old West and I used images from vintage postcards.  The backgrounds were done using the decayed paper technique with an extra top coat of clear crackle and Distress Ink rubbed into the cracks.  The coasters from all the participating artists will go into little books for each person.

Decayed Paper Technique

We had an ATC background swap in our Paper Traders group and my background was made based on Jill Geraghty-Groves’ “Decaying Background” technique as described in the March/April 2011 issue of Somerset Studio magazine.

SUPPLIES:
canvas or chipboard base
gesso
vintage text & images
sponge brushes
gel medium (I prefer matte)
baby wipes
scissors
sanding block
acrylic paint
crackle paint
alcohol inks
spray bottle filled with water

1) Use something sturdy such as canvas or chipboard for your base.  This is a very wet technique so regular paper or cardstock will not hold up to the process (I've done this with success on watercolor paper; this time I used a piece of tablet backing).  Prime with gesso.

2) Tear vintage text and images to desired shapes & sizes.  Apply with gel medium.

3) Once dry, I trim off the excess paper with scissors and then carefully smooth the edges with my sanding block.

4) Mix some gel medium with acrylic paint of your choice.  I usually use a neutral buff color.  You can use baby wipes to wipe the paint off of images that you want to show through.

5) Goop on crackle paint around the edges and let dry.  I used Ranger Distress Crackle Paint in “Picket Fence” and “Antique Linen”.  (Because I am using this piece to make into ATCs, I marked off the sizes for each card and put the crackle paint around those areas so that each ATC would have a crackled edge.)

6) Let your paint dry thoroughly.  It will crack as it dries.  The thicker the paint, the bigger the cracks.

7) After your paint has cracked, you can drip alcohol inks along the edge then spritz with water and it will run down the paper and into all the cracks.  I like to tip my background up on its edge with a paper towel underneath; then I run the bottle of ink along the top edge, spraying with lots of water, and tipping the piece to help the inks run and blend.  For this project, I used Adirondack’s “Eggplant” first, followed by “Latte”.  This step takes quite a bit of water and is very wet and messy.  Let your background dry thoroughly.

8) Now you can use your background as you want.

A couple more ATCs

Every month, our Paper Traders group hosts a "Winner Take All" ATC lottery.  It's a lot of fun - everyone puts in one ATC and at the end of the month, we draw a winner who gets all of the entries... and then it starts over again for the next month.  Entering just one ATC is not a big risk but when you win it's like a party in your mailbox! 

These are the two ATCs I made for March and February.  The latter is pretty simple but the first one took a couple of days to layer up the background.  This was a variation of Jill Geraghty-Groves' "decaying background" technique as shown in the Mar/Apr 2011 issue of Somerset Studio.  I didn't have the distress crackle paints she recommended so I used an all over clear crackle instead but I still think it turned out pretty nice.